Review: Fate Worlds – Camelot Trigger

Questing knights fight a posthuman AI threat across the solar system in this Fate World that sets gonzo to Flash-Gordonesque and gives a great mixture of options at a carefully curated level of complexity. Detailed exploration of the Arthurian legends this is not – think of changing the names to be more sci-fi (or more Paranoia – you’ll see) and adding in giant armour. This Fate World came out pretty early and is, I think, only available in the Volume Two: Worlds in Shadow anthology, and I’m kicking myself I didn’t give it a proper read through earlier.

The Fluff – Arthurian Knights… in spaaaaace!

When insane AI MerGN-A attacked Earth, humanity was scattered and defeated until John Arthur found MerLN, another AI, and worked together to turn the tide of conflict. Now Arthur, Valerie Le Guin, and (wait for it) L4-NC3-L07 lead brave knights in giant mecha suits crossing the solar system trying to fight the remnants of MerGN-A’s hidden base and defeat her remaining Exurgent armies. As I said, Pendragon in mecha this is not.

There’s lots to do, all described in enough detail to get you there and going – Mars is a manufactory dedicated to war machines, with arenas where hopeful knights can battle it out, the Asteroid belt is home to brigands and Edge Knights who have been cast out – maybe because of chivalrous misdeeds – and Saturn is wealthy and successful but refuses to acknowledge Arthur’s claim to the throne. Each planet gets a paragraph of description, and each has lots of plot hooks – there’s a reason why adventurous knights would go to each one, and what problems they could find there.

It’s a great setting, if it could just get past those clunky names. L4-NC3-L07, apparently, has kept the alphanumeric name he had as a slave in honour of all those beaten down, and… well, it’s my one problem with the setting. How do you say it? I’m guessing like “Lancelot.” So why not call him Lancelot? What’s wrong with the AIs being called Morgana and Merlin? It’s not like the original IP is in copyright. Other conceits – like Knights usually inheriting their Armour, and so keeping heraldic designations on them – feel like they fit the setting, but the names just grate for me.

The Crunch – Giant Mecha Combat Rules!

There’s an allure now about new FATE supplements as the rules have evolved to cover lots of different scenarios, whether it’s steampunk combat that actually gives great rules for Age of Sail ship battles, or trapped-in-a-flooding-room traps that emulate the best pulp scenarios, and it’s wise to remember that Camelot Trigger came out relatively early in FATE’s lifetime. Nevertheless, the mecha rules are refreshingly smooth, giving just enough complexity without adding too much handling time.

Your Armour has systems (normally 5, one in each body location) that can have either skills – which replace the pilot’s skill if it is less – or stunts, which function just like stunts in regular FATE. You use your pilot’s stress tracks, but can shut down systems on your Armour like Consequences to avoid them. You might be accompanied by air support, in which case you’ll get some extra stress boxes – it’s all very streamlined and simple, and actually makes me want to see it in action. There’s a very sensible discussion on scale where humans are fighting Armour – that it should be resolved as a contest and not as a combat encounter, and a reminder that chivalry means this is unlikely to happen in an open battle. There’s a whole pack of sample Armours, as well, which neatly show off how the design system works, and rules for tweaking it to allow transforming mecha and combination mecha.

The One-Shot – Knights or Lords?

This game would work great as a one-shot – the setting is complex and weird while still having enough classic tropes to get players on board quickly. There’s loads to do and I can easily see a range of missions for a group of questing knights. But the game also includes write-ups for Arthur, Valerie (the Guinevere analogue), L4-NC3-L07, and MerLN – and I can see a great one-shot where 4 players each play one of these big movers and shakers in the setting dealing with MorGN-A’s return. It’s rare that I read a setting and want to jump in so immediately – again, I’m disappointed this has been sat on my bookshelf unplayed for so long!


Review: Fate Worlds – Sails Full Of Stars

Steampunk planetary romance / naval adventure across the solar system that doesn’t seem to know quite what it wants to be, Sails Full Of Stars is one of the Fate Worlds series of short settings for the Fate RPG, and is available here, and in print in the Worlds Take Flight anthology. It takes a neat, grabby setting and paints it in broad brush strokes, before adding in some complex and not-always-clear ship combat rules.

The Fluff

It’s 1850. The world, and indeed the Solar System, is dominated by three great powers – Napoleon’s France, the Ottoman Empire, and China, who first discovered how to travel between planets using handwavy rheosilk that catch currents between planets. Navigators read the vibrations of these currents by ‘sounding’ glass spheres and so the solar system is now full of massive rheoships hauling cargo, being pirates, and smuggling goods. Oh, and dragons. They were there before, though.

The presentation of the setting is great, but I can see how it might frustrate some. What is given is very broad-brush, with all the detail left for GMs (and players) to fill in. For instance, it doesn’t mention whether each empire has a base on every planet, so you have to sort of infer this from an idea of the tropes the designer is trying to pull in (and from some extra detail in the starting adventure). It gives a paragraph for each planet, so we know that Venus is full of dangerous jungle – but no clues as to what animals might live there. Mars is full of Martian ruins, naturally, and the promise of ancient tech / alchemy – again, all left up to be filled in. And there are the dragons, who allegedly gave the gifts of sailing the cosmos to the Chinese around 1200, but they are left similarly vague.

It’s an interesting technique, but compared to the other Fate Worlds it can feel a little sparse. This is clearly an epic setting with lots of moving parts, and a conscious decision by the designer to show the overall picture and leave the minutiae to the GM, but it feels … unfinished. Where some of the other Fate Worlds get round this with random tables and an explicit permission to make it up as you go along, this feels altogether more serious, which makes it feel more constrained. Perhaps it’s because there isn’t as tight an idea for what the PCs actually do in SFOS – in the sample adventure, they’re Traveller-style edge of the law merchants, but you could just as well be spies, explorers, privateers or mercenaries based on the implied rules and settings here.

The Crunch

There are a few variations from Fate Core here – two new skills; Alchemy lets you craft compounds – left a bit handwavy even for me, and perhaps more concrete examples of constructions would have helped. Sail is much more clearly defined, as a lot of ship combat rotates around its use. Also, around twenty new stunts – an excellent way for settings for Fate Core to define themselves and give the flavour of their genre – which is useful.

There are detailed – and tactical-feeling – rules for Rheoship combat which look like they capture an age-of-sail style ship combat with vast crafts trying to outmaneuvre each other using only the rheospace winds. There are a few bits that I’m not sure I can get my head around – such as how many actions you actually get to take in a round (I’d assume one per PC) and an absence of difficulties for most of the tasks (my usual Fate approach of Fair (+2) or Good (+3) difficulty probably applies here). There are also some variant rules for mass combat, which need the Fate System Toolkit – to account for crew actions like boarding and capturing a ship – again, very age of sail.

I’d need to see these in action, but I suspect they are very good – they are just sometimes a little hard to parse, but I’ll put faith in Fate’s resilience against any rules shonkiness. The ship combat would definitely work for an age-of-sail conflict, and as we’re not exactly overwhelmed with games to play 19th century naval adventures (except for the excellent Beat to Quarters) there’s probably a niche for them.

The One-Shot

I can see this being a great setting for one-shot play, providing the GM is fine with filling in plenty of the setting blanks. There are lots of ideas for satisfying one-shot adventures that leap out, and as usual it comes with an adventure as well.

If I’m honest, though, the adventure, Secrets of the Red Planet, feels a little flat. It’s not quite as clearly presented for running as I’m used to (I’d need to make some bullet-points of scenes to run it, as they are often long paragraphs with plenty of options) and it has some twists for the PCs that might lead to disgruntlement from players. It feels a little like an example of the setting and what PCs might do rather than an adventure to play for. In fact, I’d write my own.

It also doesn’t have any pregen PCs, which is a shame as they would’ve been a great chance to show some points of detail about the setting. Again, there’s enough promise here for me to want to make my own, but it’s a shame there aren’t ones supplied, though I guess word count was an issue.

Overall, an intriguing setting, and a shame it’s not as immediately usable as some of the other Worlds of Adventure supplements. I will definitely give it more thought though, and it’s on my convention / one-shot prep list to do some work on it – I’ll try and remember to share it here too.